A GILDED PAUSE

Photography by JOSS MCKINLEY Styling by DOUGLAS MILLER

Taken from the cover story ‘A Gilded Paude’ for GUCCI, featured in our DEAR JOHN issue.

A GILDED PAUSE

Photography by JOSS MCKINLEY Styling by DOUGLAS MILLER

Taken from the cover story ‘A Gilded Paude’ for GUCCI, featured in our DEAR JOHN issue.

MEET THE ARTIST

LUIGI GHIRRI

SLOWING THE SPEED OF THE GAZE

Before anyone talked about image overload, Ghirri was already asking us to take a step back. His photographs reward those who look twice.

MEET THE ARTIST
LUIGI GHIRRI
SLOWING THE SPEED OF THE GAZE

Before anyone talked about image overload, Ghirri was already asking us to take a step back. His photographs reward those who look twice.

MEET THE ARTIST
LUIGI GHIRRI
SLOWING THE SPEED OF THE GAZE

Before anyone talked about image overload, Ghirri was already asking us to take a step back. His photographs reward those who look twice.

MEET THE ARTIST

LUIGI GHIRRI

SLOWING THE SPEED OF THE GAZE

Before anyone talked about image overload, Ghirri was already asking us to take a step back. His photographs reward those who look twice.

MEET THE ARTIST

LUIGI GHIRRI

SLOWING THE SPEED OF THE GAZE

Before anyone talked about image overload, Ghirri was already asking us to take a step back. His photographs reward those who look twice.

MEET THE ARTIST
LUIGI GHIRRI
SLOWING THE SPEED OF THE GAZE

Before anyone talked about image overload, Ghirri was already asking us to take a step back. His photographs reward those who look twice.

NEW ISSUE #

21

DEAR JOHN

The Spring/Summer 2026 issue is out.

RETROSPECTIVE
STILL HUMAN, AFTER ALL
YUVAL NOAH HARARI
YUVAL NOAH HARARI

A decade-spanning retrospective on what becomes of the human in an age increasingly shaped by artificial intelligence.

RETROSPECTIVE

YUVAL NOAH HARARI

STILL HUMAN, AFTER ALL

A decade-spanning retrospective on what becomes of the human in an age increasingly shaped by artificial intelligence.

RETROSPECTIVE

YUVAL NOAH HARARI

STILL HUMAN, AFTER ALL

A decade-spanning retrospective on what becomes of the human in an age increasingly shaped by artificial intelligence.

RETROSPECTIVE
STILL HUMAN, AFTER ALL
YUVAL NOAH HARARI

A decade-spanning retrospective on what becomes of the human in an age increasingly shaped by artificial intelligence.

RETROSPECTIVE

YUVAL NOAH HARARI

STILL HUMAN, AFTER ALL

A decade-spanning retrospective on what becomes of the human in an age increasingly shaped by artificial intelligence.

RETROSPECTIVE

YUVAL NOAH HARARI

STILL HUMAN, AFTER ALL

A decade-spanning retrospective on what becomes of the human in an age increasingly shaped by artificial intelligence.

MEET THE ARTIST
WHAT REMAINS UNSAID
BHARAT SIKKA
BHARAT SIKKA

Portraiture, landscape and personal archive woven together to trace the many realities of contemporary India without spectacle.

MEET THE ARTIST

BHARAT SIKKA

WHAT REMAINS UNSAID

Portraiture, landscape and personal archive woven together to trace the many realities of contemporary India without spectacle.

MEET THE ARTIST

BHARAT SIKKA

WHAT REMAINS UNSAID

Portraiture, landscape and personal archive woven together to trace the many realities of contemporary India without spectacle.

MEET THE ARTIST
WHAT REMAINS UNSAID
BHARAT SIKKA

Portraiture, landscape and personal archive woven together to trace the many realities of contemporary India without spectacle.

MEET THE ARTIST

BHARAT SIKKA

WHAT REMAINS UNSAID

Portraiture, landscape and personal archive woven together to trace the many realities of contemporary India without spectacle.

MEET THE ARTIST

BHARAT SIKKA

WHAT REMAINS UNSAID

Portraiture, landscape and personal archive woven together to trace the many realities of contemporary India without spectacle.

INTERVIEW
WHO OWNS OUR DAYS?
PAOLO SORRENTINO
PAOLO SORRENTINO

Power, compassion and the loneliness of making decisions for others. A conversation about his latest film, La Grazia.

INTERVIEW

PAOLO SORRENTINO

WHO OWNS OUR DAYS?

Power, compassion and the loneliness of making decisions for others. A conversation about his latest film, La Grazia.

INTERVIEW

PAOLO SORRENTINO

WHO OWNS OUR DAYS?

Power, compassion and the loneliness of making decisions for others. A conversation about his latest film, La Grazia.

INTERVIEW
WHO OWNS OUR DAYS?
PAOLO SORRENTINO

Power, compassion and the loneliness of making decisions for others. A conversation about his latest film, La Grazia.

INTERVIEW

PAOLO SORRENTINO

WHO OWNS OUR DAYS?

Power, compassion and the loneliness of making decisions for others. A conversation about his latest film, La Grazia.

INTERVIEW

PAOLO SORRENTINO

WHO OWNS OUR DAYS?

Power, compassion and the loneliness of making decisions for others. A conversation about his latest film, La Grazia.

MEET THE ARTIST
ACEDIA IN AN ALWAYS-ON WORLD
LOUISE DESNOS
LOUISE DESNOS

Intimate photographs of idleness and exhaustion, asking whether doing nothing might be its own form of resistance.

MEET THE ARTIST

LOUISE DESNOS

ACEDIA IN AN ALWAYS-ON WORLD

Intimate photographs of idleness and exhaustion, asking whether doing nothing might be its own form of resistance.

MEET THE ARTIST

LOUISE DESNOS

ACEDIA IN AN ALWAYS-ON WORLD

Intimate photographs of idleness and exhaustion, asking whether doing nothing might be its own form of resistance.

MEET THE ARTIST
ACEDIA IN AN ALWAYS-ON WORLD
LOUISE DESNOS

Intimate photographs of idleness and exhaustion, asking whether doing nothing might be its own form of resistance.

MEET THE ARTIST

LOUISE DESNOS

ACEDIA IN AN ALWAYS-ON WORLD

Intimate photographs of idleness and exhaustion, asking whether doing nothing might be its own form of resistance.

MEET THE ARTIST

LOUISE DESNOS

ACEDIA IN AN ALWAYS-ON WORLD

Intimate photographs of idleness and exhaustion, asking whether doing nothing might be its own form of resistance.

MEET THE ARTIST
A FAMILIAR STRANGER
VICKY MARTIN
VICKY MARTIN

Alice fell down a rabbit hole. Dorothy left Kansas. Martin's women never quite leave the house, but nothing inside it is what it used to be.

MEET THE ARTIST

VICKY MARTIN

A FAMILIAR STRANGER

Alice fell down a rabbit hole. Dorothy left Kansas. Martin's women never quite leave the house, but nothing inside it is what it used to be.

MEET THE ARTIST

VICKY MARTIN

A FAMILIAR STRANGER

Alice fell down a rabbit hole. Dorothy left Kansas. Martin's women never quite leave the house, but nothing inside it is what it used to be.

MEET THE ARTIST
A FAMILIAR STRANGER
VICKY MARTIN

Alice fell down a rabbit hole. Dorothy left Kansas. Martin's women never quite leave the house, but nothing inside it is what it used to be.

MEET THE ARTIST

VICKY MARTIN

A FAMILIAR STRANGER

Alice fell down a rabbit hole. Dorothy left Kansas. Martin's women never quite leave the house, but nothing inside it is what it used to be.

MEET THE ARTIST

VICKY MARTIN

A FAMILIAR STRANGER

Alice fell down a rabbit hole. Dorothy left Kansas. Martin's women never quite leave the house, but nothing inside it is what it used to be.

MEET THE ARTIST
THINGS FELT, BUT NOT QUITE EXPRESSED
SOHRAB HURA
SOHRAB HURA

When illness changed the way he could move through the world, Hura picked up pastels and found a softer language for what photographs couldn't say.

MEET THE ARTIST

SOHRAB HURA

THINGS FELT, BUT NOT QUITE EXPRESSED

When illness changed the way he could move through the world, Hura picked up pastels and found a softer language for what photographs couldn't say.

MEET THE ARTIST

SOHRAB HURA

THINGS FELT, BUT NOT QUITE EXPRESSED

When illness changed the way he could move through the world, Hura picked up pastels and found a softer language for what photographs couldn't say.

MEET THE ARTIST
THINGS FELT, BUT NOT QUITE EXPRESSED
SOHRAB HURA

When illness changed the way he could move through the world, Hura picked up pastels and found a softer language for what photographs couldn't say.

MEET THE ARTIST

SOHRAB HURA

THINGS FELT, BUT NOT QUITE EXPRESSED

When illness changed the way he could move through the world, Hura picked up pastels and found a softer language for what photographs couldn't say.

MEET THE ARTIST

SOHRAB HURA

THINGS FELT, BUT NOT QUITE EXPRESSED

When illness changed the way he could move through the world, Hura picked up pastels and found a softer language for what photographs couldn't say.

DEAR JOHN

21

OUT NOW

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is a large format international biannual magazine from Istanbul. Focusing on arts, culture and society, each issue tackles various universal subjects within a distinct theme.

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Karaköy Tarihi Un Değirmeni Binası, Kemankeş Mahallesi, Ali Paşa Değirmen Sokak 16, 34425, Karaköy Istanbul, Turkey

+90 212 232 4288

contact@212magazine.com

DEAR JOHN

21

OUT NOW

Magazine

Current Issue

All Issue

Studio

SHOP

Issue

Collection

is a large format international biannual magazine from Istanbul. Focusing on arts, culture and society, each issue tackles various universal subjects within a distinct theme.

Address

Karaköy Tarihi Un Değirmeni Binası, Kemankeş Mahallesi, Ali Paşa Değirmen Sokak 16, 34425, Karaköy Istanbul, Turkey

+90 212 232 4288

contact@212magazine.com

DEAR JOHN

21

OUT NOW

Magazine

Current Issue

All Issue

Studio

SHOP

Issue

Collection

is a large format international biannual magazine from Istanbul. Focusing on arts, culture and society, each issue tackles various universal subjects within a distinct theme.

Address

Karaköy Tarihi Un Değirmeni Binası, Kemankeş Mahallesi, Ali Paşa Değirmen Sokak 16, 34425, Karaköy Istanbul, Turkey

+90 212 232 4288

contact@212magazine.com