
LUIGI GHIRRI
Before anyone talked about image overload, Ghirri was already asking us to take a step back. His photographs reward those who look twice.

Before anyone talked about image overload, Ghirri was already asking us to take a step back. His photographs reward those who look twice.
Before anyone talked about image overload, Ghirri was already asking us to take a step back. His photographs reward those who look twice.



LUIGI GHIRRI
Before anyone talked about image overload, Ghirri was already asking us to take a step back. His photographs reward those who look twice.

LUIGI GHIRRI
Before anyone talked about image overload, Ghirri was already asking us to take a step back. His photographs reward those who look twice.
Before anyone talked about image overload, Ghirri was already asking us to take a step back. His photographs reward those who look twice.

NEW ISSUE #
21

DEAR JOHN
The Spring/Summer 2026 issue is out.

A decade-spanning retrospective on what becomes of the human in an age increasingly shaped by artificial intelligence.

RETROSPECTIVE
YUVAL NOAH HARARI
STILL HUMAN, AFTER ALL
A decade-spanning retrospective on what becomes of the human in an age increasingly shaped by artificial intelligence.
RETROSPECTIVE
YUVAL NOAH HARARI
STILL HUMAN, AFTER ALL
A decade-spanning retrospective on what becomes of the human in an age increasingly shaped by artificial intelligence.



A decade-spanning retrospective on what becomes of the human in an age increasingly shaped by artificial intelligence.

RETROSPECTIVE
YUVAL NOAH HARARI
STILL HUMAN, AFTER ALL
A decade-spanning retrospective on what becomes of the human in an age increasingly shaped by artificial intelligence.
RETROSPECTIVE
YUVAL NOAH HARARI
STILL HUMAN, AFTER ALL
A decade-spanning retrospective on what becomes of the human in an age increasingly shaped by artificial intelligence.


Portraiture, landscape and personal archive woven together to trace the many realities of contemporary India without spectacle.

MEET THE ARTIST
BHARAT SIKKA
WHAT REMAINS UNSAID
Portraiture, landscape and personal archive woven together to trace the many realities of contemporary India without spectacle.
MEET THE ARTIST
BHARAT SIKKA
WHAT REMAINS UNSAID
Portraiture, landscape and personal archive woven together to trace the many realities of contemporary India without spectacle.



Portraiture, landscape and personal archive woven together to trace the many realities of contemporary India without spectacle.

MEET THE ARTIST
BHARAT SIKKA
WHAT REMAINS UNSAID
Portraiture, landscape and personal archive woven together to trace the many realities of contemporary India without spectacle.
MEET THE ARTIST
BHARAT SIKKA
WHAT REMAINS UNSAID
Portraiture, landscape and personal archive woven together to trace the many realities of contemporary India without spectacle.


Power, compassion and the loneliness of making decisions for others. A conversation about his latest film, La Grazia.

INTERVIEW
PAOLO SORRENTINO
WHO OWNS OUR DAYS?
Power, compassion and the loneliness of making decisions for others. A conversation about his latest film, La Grazia.
INTERVIEW
PAOLO SORRENTINO
WHO OWNS OUR DAYS?
Power, compassion and the loneliness of making decisions for others. A conversation about his latest film, La Grazia.



Power, compassion and the loneliness of making decisions for others. A conversation about his latest film, La Grazia.

INTERVIEW
PAOLO SORRENTINO
WHO OWNS OUR DAYS?
Power, compassion and the loneliness of making decisions for others. A conversation about his latest film, La Grazia.
INTERVIEW
PAOLO SORRENTINO
WHO OWNS OUR DAYS?
Power, compassion and the loneliness of making decisions for others. A conversation about his latest film, La Grazia.


Intimate photographs of idleness and exhaustion, asking whether doing nothing might be its own form of resistance.

MEET THE ARTIST
LOUISE DESNOS
ACEDIA IN AN ALWAYS-ON WORLD
Intimate photographs of idleness and exhaustion, asking whether doing nothing might be its own form of resistance.
MEET THE ARTIST
LOUISE DESNOS
ACEDIA IN AN ALWAYS-ON WORLD
Intimate photographs of idleness and exhaustion, asking whether doing nothing might be its own form of resistance.



Intimate photographs of idleness and exhaustion, asking whether doing nothing might be its own form of resistance.

MEET THE ARTIST
LOUISE DESNOS
ACEDIA IN AN ALWAYS-ON WORLD
Intimate photographs of idleness and exhaustion, asking whether doing nothing might be its own form of resistance.
MEET THE ARTIST
LOUISE DESNOS
ACEDIA IN AN ALWAYS-ON WORLD
Intimate photographs of idleness and exhaustion, asking whether doing nothing might be its own form of resistance.


Alice fell down a rabbit hole. Dorothy left Kansas. Martin's women never quite leave the house, but nothing inside it is what it used to be.

MEET THE ARTIST
VICKY MARTIN
A FAMILIAR STRANGER
Alice fell down a rabbit hole. Dorothy left Kansas. Martin's women never quite leave the house, but nothing inside it is what it used to be.
MEET THE ARTIST
VICKY MARTIN
A FAMILIAR STRANGER
Alice fell down a rabbit hole. Dorothy left Kansas. Martin's women never quite leave the house, but nothing inside it is what it used to be.



Alice fell down a rabbit hole. Dorothy left Kansas. Martin's women never quite leave the house, but nothing inside it is what it used to be.

MEET THE ARTIST
VICKY MARTIN
A FAMILIAR STRANGER
Alice fell down a rabbit hole. Dorothy left Kansas. Martin's women never quite leave the house, but nothing inside it is what it used to be.
MEET THE ARTIST
VICKY MARTIN
A FAMILIAR STRANGER
Alice fell down a rabbit hole. Dorothy left Kansas. Martin's women never quite leave the house, but nothing inside it is what it used to be.


When illness changed the way he could move through the world, Hura picked up pastels and found a softer language for what photographs couldn't say.

MEET THE ARTIST
SOHRAB HURA
THINGS FELT, BUT NOT QUITE EXPRESSED
When illness changed the way he could move through the world, Hura picked up pastels and found a softer language for what photographs couldn't say.
MEET THE ARTIST
SOHRAB HURA
THINGS FELT, BUT NOT QUITE EXPRESSED
When illness changed the way he could move through the world, Hura picked up pastels and found a softer language for what photographs couldn't say.



When illness changed the way he could move through the world, Hura picked up pastels and found a softer language for what photographs couldn't say.

MEET THE ARTIST
SOHRAB HURA
THINGS FELT, BUT NOT QUITE EXPRESSED
When illness changed the way he could move through the world, Hura picked up pastels and found a softer language for what photographs couldn't say.
MEET THE ARTIST
SOHRAB HURA
THINGS FELT, BUT NOT QUITE EXPRESSED
When illness changed the way he could move through the world, Hura picked up pastels and found a softer language for what photographs couldn't say.


is a large format international biannual magazine from Istanbul. Focusing on arts, culture and society, each issue tackles various universal subjects within a distinct theme.
Address
Karaköy Tarihi Un Değirmeni Binası, Kemankeş Mahallesi, Ali Paşa Değirmen Sokak 16, 34425, Karaköy Istanbul, Turkey
+90 212 232 4288
contact@212magazine.com

is a large format international biannual magazine from Istanbul. Focusing on arts, culture and society, each issue tackles various universal subjects within a distinct theme.
Address
Karaköy Tarihi Un Değirmeni Binası, Kemankeş Mahallesi, Ali Paşa Değirmen Sokak 16, 34425, Karaköy Istanbul, Turkey
+90 212 232 4288
contact@212magazine.com

is a large format international biannual magazine from Istanbul. Focusing on arts, culture and society, each issue tackles various universal subjects within a distinct theme.
Address
Karaköy Tarihi Un Değirmeni Binası, Kemankeş Mahallesi, Ali Paşa Değirmen Sokak 16, 34425, Karaköy Istanbul, Turkey
+90 212 232 4288
contact@212magazine.com














